1. Introduction
BenQ DC C-50 Review, Dimitrios Tolios, September 2004
Review based on a production BenQ DC C-50 model
S/N: 0509E34302172, firmware version 0.21
Introduction
BenQ - formerly Acer Communications & Multimedia Group - was known in
the digital imaging world as a digital display and flatbed scanner producer.
Recently, they introduced a wide range of digital cameras in an attempt
to stay current, releasing new models on a regular basis.
The DC C50 is the current line's flagship, featuring a 5MP class sensor,
3x optical zoom, Li-Ion battery and an extensive range of exposure control
settings. Along with very competitive pricing, the DC C50 seems to be a good
choice when stacked up against comparable models from Canon, Olympus, Pentax
and Sony in the same class.
But can actual performance and image quality catch up with the high specifications?
2. Specifications
Specifications Specifications
GENERAL |
Manufacturer |
BenQ |
Model name |
DC C50 |
Serial number |
0509E34302172 |
Used Camera Firmware |
0.21 |
Camera format |
Compact |
Body Color |
Silver |
Retail Price ($ - €) |
|
Street price ($ - €) |
US $356 / EU €244 |
Price Update Date |
9 - 2004 |
Date Available |
Already available |
Weight (gr.) |
180 gr |
Weight with Batteries (gr.) |
|
Dimensions (W x H x D) (mm) |
98 x 63 x 35 |
Operating Temperatures (°C) |
|
Operating Humidity (%) |
|
Remote Control |
No |
Remote Control Type |
No |
Tripod mount |
Yes, Metal |
Operating System |
Windows |
Warranty in Months |
24 Months Manufacturer warranty, 6 Months for Battery |
IMAGE CAPTURE |
Image Resolutions |
- 2560 x 1920
- 2048 x 1536
- 1280 x 960
- 640 x 480
|
Image Ratio (w/h) |
4/3 |
Effective Pixels (Mega pixels) |
5 MP |
Sensor photo detectors (Mega pixels) |
5.04 MP |
Sensor Size |
1/1.8 " - (7.2 x 5.3 mm ) |
Sensor Type |
CCD |
Sensor Manufacturer |
N/A |
Color filter type |
N/A |
Focal Length Multiplier |
N/A |
Movie Clips |
Yes |
Movie Resolution (pix ‐ fps) |
- 320 x 240 - 15 fps
- 160 x 120 - 15 fps
|
Movie Audio |
Yes, PCM 8bit 64kbps |
Sound Recording |
Yes, Up to 10 sec comment for each image |
LENS
|
Focal Length (35 mm equivalent) |
37.5 - 112.5 mm |
Actual Focal Length |
7.2 - 21.6 mm |
Zoom Ratio |
3x |
Optical Zoom Steps |
10 |
Digital Zoom |
Yes |
Digital Zoom Value |
4x |
Auto Focus |
Yes |
Auto Focus Type |
Passive |
Auto Focus Steps |
N/A |
Auto Focus Assist Light |
Yes |
Auto Focus Minimum Illumination |
N/A |
Manual Focus |
Yes |
Manual Focus Steps |
|
Macro Focus |
Yes |
Macro Focus Steps |
N/A |
Normal Focus Range |
80 cm to Infinity |
Macro Focus Range |
8 cm to Infinity: Wide
30 cm to Infinity: Tele |
Min Macro Area |
N/A |
Max Aperture |
|
Min Aperture |
|
Aperture range |
- Wide: F2.8 - F6.7
- Tele: F4.7 - F11
|
Aperture Steps |
• Wide: F2.8, F3.5, F4.0, F4.8, F5.6, F6.7
• Tele: F4.7, F5.6, F6.7, F8, F9.5, F11 |
Lens Thread |
No |
Lens thread Type |
N/A |
EXPOSURE CONTROL |
ISO Settings |
- Auto
- ISO 100
- ISO 200
- ISO 400
|
ISO Rating Min |
100 |
ISO Rating Max |
400 |
Manual White Balance |
Yes |
White Balance Settings |
- Auto
- Incandescent
- Fluorescent 1 - Reddish
light
- Fluorescent 2 - Bluish light
- Day Light
- Cloudy
- Manual
|
Longest Shutter time |
8 sec |
Shortest Shutter Time |
1/1500 sec |
Shutter Type |
Mechanical and Electrical Shutter |
Shutter Steps (sec) |
8, 6, 5, 4, 3.2, 2.5, 2, 1.6, 1.3, 1, 0.8, 0.6, 0.5, 0.4, 0.3, 1/4, 1/5, 1/6, 1/8, 1/10, 1/13, 1/15, 1/20, 1/25, 1/30, 1/40, 1/50, 1/60, 1/80, 1/100, 1/125, 1/160, 1/200, 1/250, 1/320, 1/400, 1/500, 1/640, 1/800, 1/1000, 1/1250, 1/1500 |
Exposure Adjust Range |
+/- 2 EV |
Exposure Adjust Step Size |
1/3 EV |
Auto Exposure Bracketing (AEB) |
Yes, 3 frames |
Metering Modes |
- Spot
- Average Weighted TTL
|
Spot Metering |
Yes |
Aperture Priority |
Yes |
Shutter Priority |
Yes |
Full Manual Exposure |
Yes |
Self Timer Shooting |
Yes, Selectable 2 or 10 sec delay |
Continuous Shooting |
Yes, Up to 0.5 fps for 3 frames |
Interval Shooting |
Yes, Up to 99 shots with 1, 3, 10 or 60 min intervals |
DISPLAY & VIEWFINDER |
Viewfinder |
Yes |
Viewfinder Type |
Optical, Real Image |
Viewfinder Accuracy |
N/A |
LCD Monitor |
Yes |
LCD Monitor Accuracy |
Nearly 100% |
LCD Monitor size |
1.5" TFT |
LCD Monitor resolution |
N/A |
LCD Monitor Rotation |
No |
Max Playback Zoom |
4x |
FLASH |
Built
- in flash |
Yes |
Flash Modes |
- Auto
- Red Eye Reduction
- Forced Flash
- No Flash
|
Flash Guide Number (meters) |
N/A |
Flash Range |
0.5 ~ 3 m |
Flash Exposure Compensation |
No |
Flash Exposure Compensation Steps |
N/A |
External Flash |
No |
External Flash Connection |
No |
STORAGE MEDIUM (MEMORY) |
Usable Memory Types |
SD/MMC, up to 512MB |
Memory Included (MB) |
32MB SD Memory Card (Panasonic) |
PHOTO FORMATS |
Uncompressed Format |
No |
CCD RAW Format |
No |
Compressed Format |
JPEG (EXIF 2.2) |
Compression Quality Levels |
- Fine (1/4)
- Standard (1/8)
- Economy (1/16)
|
Movie File Format |
AVI, with PCM audio |
CONNECTIONS |
Video Out |
Yes |
Video Mode Switchable |
Yes, PAL - NTSC |
USB |
Yes, USB 1.1 |
Firewire (IEEE 1394) |
No |
Serial |
No |
Other Connection |
N/A |
DC Power Input |
5V |
OS Compatibility |
Windows |
POWER |
Battery Type |
Li - Ion 3.7 V - 1035 mAh |
Batteries Included |
Yes |
Battery Charger Included |
Yes |
External Power Supply |
Yes |
INCLUDED SOFTWARE |
Camera Driver |
PC Driver (Windows 98/ 98SE/ 2000/ ME/ XP) |
Software Applications |
BenQ Q-Link (smart photo management software)
Arcsoft PhotoBase
Arcsoft PhotoImpression
Arcsoft VideoImpression
Arcsoft PhotoPrinter
Adobe Acrobat Reader
Microsoft DirectX
Electronic User's Manual |
3. Design
DESIGN
The DC C50's simple but elegant design is up to my liking with its rectangular,
round edged silver body and nickel-plated details. The company used aluminium
sheet and plastic to shape the outer body, which feels rather sturdy and solid
in your hand. Overall, BenQ convinces you that this is a good quality camera,
although it cannot reach the feel of magnesium bodies many prosumer level cameras
use.
Side by side
Here you can see the DC C50 next to an average sized 3MP compact camera,
the Canon Powershot A70 which also uses a 3x zoom lens of similar brightness.
Due to the lack of a hand grip and its slimmer design, the DC C50 is
noticably smaller. It will fit into a pocket much easier.
In your hand
Without a defined handgrip, the camera sits in your hand rather nicely, though
people with big hands could find it difficult to hold it comfortably. The camera's
controls are located to the right, thus making it easy to both shoot and preview
pictures single-handed, provided that you are right handed that is.
Body Elements
LCD Monitor |
|
The average sized
1.5" LCD
monitor, given that many models utilize 2" displays nowadays, is rather
bright and sharp. Though its brightness can be increased (or decreased),
viewing under strong sunlight is poor. Nothing different from most cameras
in this department. |
Lens |
|
Nothing fancy about the lens. A typical 3x optical
zoom ( 37.5 - 112.5 mm equiv.) of average brightness. Maximum aperture
ranges from F2.8 to F4.7 (wide to telephoto zoom end), which is rather
slow compared to most current 5MP cameras. A lens thread for mounting
filters is not included, and any kind of adapter for them was not predicted.
So expandability of the current optical system is out of the question. |
Memory and Battery Compartment |
|
The memory and the battery share the same compartment,
accessible through a plastic door located at the bottom right of the
camera. The metal, spring loaded hinge seems sturdy and its slide-lock
operation is positive, though I believe it could be better. |
Optical Viewfinder |
|
The optical viewfinder is a typical - real image -
tunnel type design. It is equipped with diopter adjustment and is quite
accurate.
The possibility of using the optical viewfinder for your average shot
is slim, though it could help in occasions of intense sunlight, which
can make the images in the LCD monitor too hard to see. You could also
be using it to save on battery power. The Viewfinder AF and activity
LED serves as a status indicator in shooting mode, when charging the
battery and when the camera is connected to a PC. |
Flash and AF assist lamp |
|
The built in flash has a given
range of 0.5 to 3 meters at Auto ISO, an average but not disappointing
value for DC C50's class. Though it is not located far from the lens' optical
center, red-eye reduction appears to be working with consistency in our tests.
Nonetheless, you cannot control flash exposure compensation and items closer
than 1-1,5m tend to come out overexposed or even burned because of the strong
flashes. Fill in performance is adequate. |
The
built in assist lamp is rather effective and helps the camera to achieve
focus even in complete darkness, as long as your subject is located
within 5 meters or so. Many prosumer digital cameras would like to
have its performance.
|
Camera base and Tripod Mount |
|
The metal tripod mount is nicely placed where it
seams to be aligned with the lens' center - a nice feature when taking
panoramas using a non-specialized tripod. The rest of the camera's
base is quite simple in design, as is the rest of the camera. |
Connections |
|
On the left side of the camera are its sole two
connection sockets: a 5V DC-IN socket and the combined USB 1.1 and AV
terminal. The designers haven't utilized any kind of protection over
the terminals. Thus caution should be taken in order to protect them
from
dirt, fine sand or even light rain, which could cause malfunction or
even damage the device. |
Battery, Charger and AC Adapter |
|
|
BenQ includes a 3.7 V - 1035 mAh Li-Ion
battery to power the DC C50. The included charger also doubles as an
AC adapter for using the camera indoors without the need to worry about
battery duration, which is rather good by the way. Nicely done in the
power department. |
Camera Pouch |
|
|
BenQ also includes a nice camera pouch
made out of leather and synthetic fabric. The camera fits tightly into
the pouch, which also utilizes a safety tie for the hand strap, a strap
for mounting the pouch on your belt and even a small cleaning tissue
for the camera and lens! Inside the pouch you can find a small pocket
containing the cleaning tissue, which could also be used for storing
a couple of SD memory cards. The pouch uses a magnet to hold its cover
closed. Such a stylish accessory should cost a lot of money to buy, so
thanks BenQ for showing the way. |
Box contents |
|
- DC C50 Digital Camera
- Lithium-ion Battery
- SD Memory Card
- AC power adapter - Output 5.0 V ~ 2.0 A
- Camera Pouch
- Hand Strap
- AV Cable
- USB Cable
- User's manual
- DC C50 Software CD-ROM
|
4. Operation and Controls
Operation and Controls
Operation and Controls
Despite the manual shooting modes and advanced settings available, the BenQ
DC C-50 is rather easy to control, sporting proven controls layout found
on many digital compacts.
Rear camera controls |
|
Most of the control
buttons are located on the camera's back as on most models. Though the
multiple options and icons may intimidate the novice, actual
operation is pretty simple. Even advanced settings have dedicated buttons
and are easy to access in both record and play modes, with the cross
oriented buttons and the center "SET" button. The latter,
when pressed brings up an instant view of the last shot recorded. The
control dial at the upper right acts also as a selection button when
pushed, so controlling multiple exposure settings is relatively easy
and quick when mastered. A major drawback however is its small size,
which
is suitable only for people with small hands. The zoom control button
is easy to access and has a positive feel. |
Top camera controls |
|
On the
top of the camera are located its power button, which is recessed to
prevent accidental power ons and offs. The large mode dial on the right
of the camera and of course the shutter release button, which has a very
good feel, making it easy to distinguish between half and full presses. |
Display and Menus
Record Mode |
|
|
This is a typical Record Mode scene with the camera displaying information on almost any setting available for the current shooting mode. Most of these information icons can be switched off. |
By half pressing the shutter button, the camera calculates exposure and focuses on the center of the frame. When focus is achieved, the center rectangle changes to blue.
Additional information disappears from the screen.
|
|
|
In case AF could not be achieved,
the center rectangle changes to yellow. Notice that the camera informs
you of the possibility of camera shake in low shutter speeds relative
to the focal length currently selected. |
Controlling
flash and focus modes is easy, and all changes apply instantly by pressing
the dedicated camera back buttons. Choosing flash mode, or switching
between macro, or manual focus presets is as simple as pressing a
button. |
|
|
Pressing the MENU button in record mode brings out
this screen and browsing between the available settings is a no-brainer.
All the aspects of the image taken, besides exposure, can be adjusted
here. |
The exposure compensation is also easy to select, just by pressing the dedicated "left" control button in the camera's back and rolling the control dial to adjust. |
Play Mode |
|
|
The typical play mode screen displays nothing but the serial number of the image. |
Pressing the LCD button brings out information on the exposure settings and the file size of the current image. |
|
|
By pressing the zoom in button in the upper right corner, the image viewed can be magnified up to 4 times. Scrolling through the image's areas is possible with the directional cross oriented buttons. |
Pressing the DELETE button symbolized by the trash
can brings out this menu which allows you to delete the current image,
select multiple images to delete at once or erase all of them instantly. |
|
|
By pressing the zoom-out button while in play mode, the screen displays a 3 by 3 thumbnail view. Browsing through all of the images is possible with the directional keys, and the SET or zoom-in button brings the highlighted image to full view. |
Choosing SET on the main mode dial brings up these screens for adjusting time and date, auto power off interval, menu language, changing between PAL or NTSC etc. |
5. Timings and Sizes
Timings and SizesTimings and Sizes
The DC C-50 surely isn't a fast operating camera. You could say that its speed
in most operations is average, but take note that at this price and
with big, 5MP images, anything faster would be a big surprise. However, focus
and
image recording times surely won't disappoint the average snapper, nor will
the average shutter lag which is pretty much standard in this category.
Test Notes:
All times are calculated as an average of three operations. All operations
are based on a maximum resolution of 2560 x 1920 pixels, fine quality JPEG
image.
The media used for these tests was a 256MB Transcend 45x SD card.
Action |
Details |
Time (seconds) |
Power : Off to Record |
|
4 sec |
Power : Off to Play |
Image Displayed |
5,1 sec |
Power : Record to Off |
Lens retracted and all activity ceased |
1 sec |
Power : Play to Off |
When Buffer is empty |
Instant |
Record Preview |
Image displayed |
2 sec |
Mode: Record to Play |
|
2 sec |
Mode: Play to Record |
Lens already extended |
1 sec |
Mode: Play to Record |
Lens not extended |
<2 sec |
Play: Magnify |
To full magnification (4x) |
1 sec |
Play: Image to Image |
Time to display each saved image |
2 sec |
Play: Image to Thumbnail |
Time to change to thumbnail view |
1 sec |
Play: Thumbnail View |
Time to browse through thumnail displays |
2 sec |
Action |
Details |
Time (seconds) |
Zoom from wide to tele |
|
1 sec |
Half-press Lag (0->S1) |
Wide zoom end |
1~3 sec |
Half-press Lag (0->S2) |
Telephoto zoom end |
2~3 sec |
Half to Full-press Lag (S1->S2) |
LCD Live view |
Very fast |
Half to Full-press Lag (S1->S2) |
ViewfindedLCD switched off |
Very fast |
Full-press Lag (0->S2) |
LCD live view, wide angle |
2 sec |
Off to Shot Taken |
LCD live view, wide angle |
7 sec |
Shot to Shot |
Flash off |
5 sec |
Shot to Shot |
Flas on |
8 sec |
Lag Timing Definitions
Half-press Lag (0->S1) |
Most of the modern
cameras auto-focus and calculate the exposure needed for each shot
when the user half-presses the shutter release
button. Half-press Lag is the time needed between half-pressing the shutter
release and the camera indicating that focus was achieved and exposure
was estimated on the LCD monitor and/or the viewfinder. |
Half to Full-press lag (S1->S2) |
The time needed to take a shot by Full-pressing the shutter
release, assuming the camera had already focused and evaluated the exposure
settings. |
Full-press Lag (0->S2) |
The time needed for the camera to take a shot when the
shutter release button is fully pressed, without having pre-focused by
half-pressing. |
File Write / Display and Sizes
Timings shown below are the times needed for the camera to process and store
the image to the storage card. The timer is started as soon as the shutter
release
is pressed and stopped when the activity indicator goes out. The media
used for these
tests was a 256MB Transcend 45x SD card.
Image Mode |
Time to store (secs) |
Time to display (secs) |
File Size (approx.) |
Images on a 256MB card |
2560 x 1920 JPEG Fine |
4 sec |
1 sec |
2.1 MB |
111 |
2560 x 1920 JPEG Standard |
2 sec |
1 sec |
1.3 MB |
177 |
6. Tests - Page 1
Photographic Tests
White Balance
The DC C50 has all the white balance settings you would expect from a modern
digital compact. In addition to the standard auto WB mode, the C50 has five
white balance presets (daylight, cloudy, incandescent, fluorescent 1 & 2),
along with a useful manual setting. Though it could be much simpler to set
the
WB manually, the settings work quite well after you familiarize yourself with
the menus, and the setting is held in the cameras settings even after you
switch the camera off. The Auto WB mode works fine in daylight, cloudy weather
or when using the flash. But when we tested the camera shooting indoors under
incandescent or bluish fluorescent light, the Auto setting couldn’t always
give an accurate estimation- though the results could be compared with much
more expensive compact digitals. Thus, as with most compact digitals, it is
recommended
using the preset WB settings when you are sure of the type of lightning.
Notice that all three pictures are under-exposed, but this is common o scenes
containing large white areas and + EV compensation is always required. Nevertheless,
these shots had no manual input as we wanted to see how the camera's
automatic program would react by changing the light source.
|
|
|
Daylight - Auto WB |
Fluorescent - Auto WB |
Incandescent - Auto WB |
Flash Performance
The flash unit used by the DC C50 provides an average shooting range of 0,5
to 3m (at the wide end of zoom). Flash performance is adequate, though it
could
be better: the lack of the ability to reduce the flash’s power output
leads to over-exposures when shot in ranges closer than 1m, thus it should
be avoided.
Barrel and Pincushion Distortion
As with most zoom lenses in this camera class, there is some Barrel distortion
at the wide end of the zoom, while it’s not significant and won’t
affect the average user. In the middle and telephoto end of the zoom though,
there
is no noticeable distortion, either barrel or pincushion.
|
|
Distortion - Wide end |
Distortion - Tele end |
Macro Performance
Nothing great about the macro performance, but it should cover the average flower or insect shooting session. As you can see you can get closer and get a greater magnification using the wide end of the zoom, while on the other end you'll enjoy much less distortion along with more usable working distances.
|
|
Wide zoom macro 89 x 68 mm coverage ~ 89 pixels/mm
|
Tele zoom macro - 106 x 79 mm coverage ~ 24 pixels/mm |
Purple fringing/blooming
Pretty-much standard performance in this field too. Purple fingering can be
found in high-contrast edges, especially when shooting against a strong light
source. However its presence isn't too noticeable in most cases. What is noticeable
and creates a bad impression is the below than average bokeh ? the rendition
of out-of-focus points of light. Part of this is due to the oversimplified
3-blade design of the diaphragm iris, and off course the spherical aberration
which is very difficult to control in such small zoom lenses.
A good rule of thumb is shooting with the sun behind you as photographers were taught for generations.
Night Shots / Long time exposures
The DC C50 specs with 8 sec maximum shutter speeds makes you believe that
night photography was not left out of the game by BenQ. But as a matter of
fact, prolonged exposure could be this camera's weakest point. Noise
is intolerable, despite the noise reduction procedure the camera automatically
uses before storing the image - and thus slowing considerably the time
between exposures longer than 1.5 sec. You could say that every 3 sec + exposed
photo will contain beautiful RGB snowflakes, but this isn't something
you would wish for.
7. Tests - Page 2
Head to head comparison
Below you can find a studio comparison between the BenQ DC C50 and the Olympus C-5060 WZ. We have included samples for the lowest and higher ISO settings for each camera. The lens was zoomed to the middle of the range while both cameras were in Aperture priority mode and F5.6. Distanse from the subject was 115cm (+/- 1%). Both cameras were mounted on a tripod and the shutter was released by the in-camera timer.
Low ISO performance
- BenQ DC C-50: Aperture Priority mode F5.6, ISO 100, Fine Quality, Manual White Balance, Default Image parameters +0.7EV Compensation
- Olumpus C-5060 WZ: Aperture Priority mode F5.6, ISO 80, Super Fine Quality, Manual White Balance, Default Image parameters +0.7EV Compensation
- Lighting: 2x500W Tungsten 3200K studio lamps with diffusion umbrellas
It's clear from the crops that the two cameras don't belong to the same category.
The C-5060 is clearly superior when it comes to both image sharpness and colour
accuracy. The C-50 lags behind in sharpness and contrast as well, so users
should consider experimenting with the camera's Sharpness and Contrast adjustments
to improve the overall impression.
The C-5060 has the clear advantage as it utilizes both a bigger (in physical
dimensions) sensor and a sharper, bigger lens. Moreover, a key to high quality
images is the number of diaphragm blades: the Olympus has a well rounded 7-blade
iris, while the BenQ engineers where happy with a 3-blade iris. It's easy to
imagine that a 3-blade iris cannot form an opening close to a perfect circle
and render accurately the details across the image. This could also explain
why C-50's seem to be lacking in depth of field, capturing less detail.
Olympus' high sharpness also exaggerates noise. As you can see in the colour
patches, the C-50 produces much smoother - and blured - results. This could
be explained by the heavy JPEG-compression applied by the camera, which leads
to smaller files than the Olympus. In any case, the C-5060's grain-like-noise
surely isn't pleasing, considering this camera's price.*
Though colour isn't as accurate as the C-5060's, the C-50s colour reproduction
should please the average snapper. Saturation is high, and though it could
be reduced by the camera's menu, the overall impression is pleasing. Landscape
photographers will be pleased. Also worth mentioning is that the cameras Auto
WB setting, estimated the WB point under our 3200K Tungsten lamps much more
accurately than the Olympus! That's peculiar considering the huge price gap
between these
models.
*Some of the grainy-noise is "flattened" because of the recompression of the cropped images. Download the original images for a more objective examination.
8. Tests - Page 3
Head to head...
Head to head comparisson
Below you can find a studio comparison between the BenQ DC C50 and the Olympus C-5060 WZ at ISO 400. The lens was zoomed to the middle of the range while both cameras were in Aperture priority mode and F5.6. Distanse from the subject was 115cm (+/- 1%). Both cameras were mounted on a tripod and the shutter was released by the in-camera timer.
High ISO performance
- BenQ DC C-50: Aperture Priority mode F5.6, ISO 400, Fine Quality, Manual White Balance, Default Image parameters +0.7EV Compensation
- Olumpus C-5060 WZ: Aperture Priority mode F5.6, ISO 400, Super Fine Quality, Manual White Balance, Default Image parameters +0.7EV Compensation
- Lighting: 2x500W Tungsten 3200K studio lamps with diffusion umbrellas
|
Olumpus C-5060 WZ |
|
ISO 400, F5.6, 1/125sec |
|
|
KB JPEG |
KB JPEG |
|
|
At ISO 400, the Olympus C-5060 remains sharper and clearly captures more detail
than the C-50. Colour Saturation drops noticeably for both cameras, while the
colour accuracy gap is narrowed. The image quality rendered by the C-50 is
colour dependant and though you could say it surpasses the C-5060 in some areas,
you can't ignore a slight blue colour cast. Almost all of the noise produced
by C-50's sensor is in the blue channel. The C-5060 continues to produce noisy
images, but with a ?grainy? feel very different than the average ?colour-noisy? compact,
like the C50. Overall, ISO 400 performance for both cameras isn't disappointing
compared to the competition from other brands.
9. Sample Gallery
Samples
BenQ DC C-50 Sample Gallery
Here you can find a small selection of shots taken with the camera. The
images were not manipulated other than renaming in some cases. Some pictures
need
to be
rotated to be viewed correctly, but we didn't want JPEG to recompress the rotated
file. This is up to the viewer to do, if he wishes so.
10. Conclusion
Conclusion - Pros
- Easy to use
- Good Value for Money
- Compact design - though not an ultra-compact
- Good build quality
- Effective AF assist lamp
- Effective White Balance and many factory presets and a Manual WB option
- Many manual settings and priority modes to suit every need
- Simple menu provides access to advanced settings
- Well thought out controls and dials, but needs getting used to by people
with big hands as do most cameras in this category
- Included Li-Ion battery, quality pouch and charger/external PSU
- Effective Red-Eye reduction
Conclusion - Cons
- The TFT monitor doesn't provide 100% frame coverage in record mode
- Finest quality JPEG setting is still over-compressed
- The On/off button's response could be better
- Videos are short duration and of less than average quality
- Battery life could be better
- Images look soft and require in-camera adjustment or post-processing
- Some buttons and dials could be larger to suit people with big hands
- Slow operation compared to newest 5MP models
Overall Conclusion
The camera is a nice addition to the "stylus digital compact" market,
providing a pretty design, good value for money and satisfying image quality,
though
it cannot match the top 5MP in terms of resolving power and detail. It should
more than satisfy the average user upgrading from a basic 2 or 3MP digicam
which had no manual settings, by letting him explore more advanced photographic
techniques. The overall responsiveness is good. AF speed and shutter lag is
also satisfying considering the camera's pricing, a feature clearly lacking
in this type of prosumer level compacts. At least the AF assist lamp does a
pretty good
job and it's far more effective than the one on a Canon G5, The lens isn't
bright, though on par with similarly sized compacts, so no complaints here.
Small prints should come out nice, with brightly saturated colours, but the
5MP sensor cannot be utilized fully without any post processing, so time
to shine your unsharp mask skills!