Writing Quality
5. Error Correction - Page 3
Review Pages
2. Pits and Lands
3. Error Correction - Page 1
4. Error Correction - Page 2
5. Error Correction - Page 3
6. CIRC - Page 1
7. CIRC - Page 2
8. CD Decoding system
9. C1/C2 Errors - Page 1
10. C1/C2 Errors - Page 2
11. EFM - Page 1
12. EFM - Page 2
13. Jitter - Page 1
14. Jitter - Page 2
15. Jitter - Page 3
16. Oscilloscope
17. Jitter at DVD
18. Technologies for Reducing Jitter
19. JVC ENC K2
20. AudioMASTER
21. VariREC
22. TEAC Boost Function
23. Testing Equipement - Page 1
24. Testing Equipement - Page 2
25. Calibration media
26. Tests before recording
27. Tests after recording
28. Atomic Force Microscopy
Writing Quality - Page 5
Error Correction - Page 3
- Error Concealment
A practical error-correction method allows severe errors to remain uncorrected. However, subsequent processing - an error-concealment system - compensates for those errors and ensures that they are not audible.
There are two kinds of uncorrectable errors :
- Detected but not corrected : can be concealed with properly designed concealment methods.
- Undetected and miscorrected : cannot be concealed and might result in an audible click in the audio output.
- Interpolation
Following de-interleaving, most errors are interspersed with valid data word.
It is thus reasonable to use techniques in which surrounding valid data is used
to
calculate new data to replace the missing or incorrect data.
- Zero-order or pervious-value interpolation : Interpolation holds the previous sample value and replaces it to cover the missing or incorrect sample.
- First-order or linear-order interpolation : the erroneous sample is replaced
with a new sample derived from the mean value of the previous and subsequent
samples.
In many digital audio systems, a combination of zero- and first-order interpolation is used. Other higher-order interpolation is sometimes used.
- Muting
Muting is the simple process of setting the value of missing or uncorrected words to zero. Muting might be used in the case of uncorrected errors, which would otherwise cause an audible click at the output. Also in the case of severe data damage or player malfunction, it is preferable to mute the data output.
To minimize audibility of a mute, muting algorithms gradually attenuate the output signal's amplitude prior to a mute, and then gradually restore the amplitude afterward. Such muting for 1 to 4 ms durations cannot be perceived by the human ear.
Review Pages
2. Pits and Lands
3. Error Correction - Page 1
4. Error Correction - Page 2
5. Error Correction - Page 3
6. CIRC - Page 1
7. CIRC - Page 2
8. CD Decoding system
9. C1/C2 Errors - Page 1
10. C1/C2 Errors - Page 2
11. EFM - Page 1
12. EFM - Page 2
13. Jitter - Page 1
14. Jitter - Page 2
15. Jitter - Page 3
16. Oscilloscope
17. Jitter at DVD
18. Technologies for Reducing Jitter
19. JVC ENC K2
20. AudioMASTER
21. VariREC
22. TEAC Boost Function
23. Testing Equipement - Page 1
24. Testing Equipement - Page 2
25. Calibration media
26. Tests before recording
27. Tests after recording
28. Atomic Force Microscopy