Canon Europe is expanding its lineup with the debut of the EOS C400 featuring an RF mount, alongside the CN7x17 KAS T lens engineered to elevate large scale productions to greater heights.

EOS C400
Canon CN7X17 KAS T
Adapting to the evolving needs of the market and designed with versatility in mind, the EOS C400 offers an all-in-one solution tailored to support a vast range of different productions, from indie cinema and documentary, live and virtual broadcasts to the electronic news gathering field.

The EOS C400 is the first high-end RF mount cinema EOS camera, ushering in a groundbreaking new era for Canon products particularly within the EOS R System. Compact yet mighty, the innovative design packs advanced features and specifications typically found in larger cameras into a more nimble box shaped design, prioritising ease of use and operability without compromising on capability. Moreover, specific in-camera connectivity such as genlock, return input and 12-pin lens terminal all support live multi-camera productions.

BSI sensor and triple ISO
The EOS C400 is equipped with a cutting-edge 6K full frame backside-illuminated, stacked CMOS sensor (BSI), boasting 16 stops of dynamic range. The technology enhances light capture efficiency and facilitates faster readouts, ensuring superior image quality.

Setting a new standard, the camera introduces the Canon triple base ISO technology, crafted for optimal performance in low light environments and delivering the cleanest optical results. With base ISO levels of 800, 3,200 and 12,800 when shooting in Canon Log 2 or 3, users have greater flexibility when it comes to shooting in challenging lighting conditions.

To make the shooting process that much easier, an automatic switching mode detects ambient lighting and adjusts the base ISO level accordingly, enhancing the overall user experience.

RF mount
Supporting Canon RF mount technology, the EOS C400 seamlessly integrates with a wide array of RF prime, zoom, hybrid, cinema and VR lenses. For added flexibility without the need for third party accessories, the camera also supports the option to use a variety of Canon’s EF-EOS R mount adapters as well as the new PL-RF mount adaptor. Additionally, the camera has enhanced metadata capabilities and connectivity options facilitating real time frame-by-frame data capture enhancing both VFX and Virtual Production workflows.

Dual Pixel CMOS AF II
Canon is now introducing its Dual Pixel CMOS AF II to its cinema EOS system, providing filmmakers with improved autofocus features. With comprehensive 100% coverage across the sensor plane, the Dual Pixel CMOS AF II delivers swift and precise performance, upgrading filmmaking clarity and reliability whilst providing piece-of-mind that you are nailing the shot every time.

This latest system also unlocks additional benefits such as face/ eye/ body tracking and animal detection and tracking, especially useful when working solo in a fast-paced environment.

Recording formats
With more options when it comes to internal recording formats, users can now tailor the format to suit their specific needs. Options include Canon's scalable 12-bit Cinema RAW Light LT/ ST/ HQ, reliable 4:2:2 10-bit XF-AVC and all-new MP4 based XF-AVC S and XF-HEVC S formats, accommodating several types of professional requirements. All of which accommodate detailed filmmaking workflows with professional filename and metadata support.

Compact design
Users familiar with the EOS C500 Mark II will appreciate the EOS C400’s recognisable design, now upgraded with an even more compact form while still offering an extensive array of connectivity. This enables operators to access the full suite of features typically associated with larger scale production cameras without the burden of size, weight or attaching additional modules.

The new compact design and enhanced accessories such as a versatile LCD bracket, advanced top handle and improved hand grip offer compatibility with a range of shooting styles whether handheld, on a gimbal, drone or shoulder-mounted.

Introducing the latest Cine Servo lens
The all new CN7x17 KAS T available with either RF or PL mount sits within the Canon Cine Servo lens range, an evolution to the previous CN7x lens but with improved updates designed to bolster operational performance and extend compatibility with virtual and VFX workflows.

With an expansive 7x optical zoom and 17-120mm focal length, the lens appeals to live sports and news, documentary, film, remote and virtual productions. 11 iris blades produce softly diffused highlights and silky out of focus backgrounds.

Among its standout features are improved connectivity between the lens and camera, streamlining processes such as real-time lens distortion correction, frame by frame lens metadata and virtual production workflows with an Unreal Engine plug-in tailored for the EOS C400. The PL mount variant of the lens supports both Cooke /i TechnologyTM and ZEISS eXtended DataTM for lens metadata and distortion/ shading correction1.

Decked with the state-of-the art next-generation e-Xs V digital drive unit, the CN7x17 KAS T features advanced functionalities including optical focus breathing correction, faster iris control and a convenient USB-C interface for remote control and user setting transfer.

EOS C300 Mark III firmware update
Canon is also releasing a free-of-charge firmware update for the EOS C300 Mark III, adding 12-bit Cinema RAW Light formats: LT (Light), ST (Standard) and HQ (High Quality), improving workflow flexibility and providing more options post-production. An Auto ISO feature will also be made available to seamlessly transition between dynamic lighting conditions in a continuous shot.

Canon today also introduces the RF 35mm F1.4L VCM, a first of its kind hybrid lens designed to capture both stills and video, along with the new Speedlite EL-10 for elevating portraits with controllable lighting.

For more information about these products, please visit:
EOS C400: https://www.canon-europe.com/cameras/eos-c400/
CN7x17 KAS T: https://www.canon-europe.com/pro/cinema-lenses/cn7x17-kas-t/
EOS C300 Mark III firmware update: https://www.canon-europe.com/video-cameras/eos-c300-mark-iii/

Canon Europe introduces the RF 35mm F1.4L VCM, a first of its kind hybrid lens designed to capture both stills and video, along with the new Speedlite EL-10 for elevating portraits with controllable lighting.

Canon RF 35mm F1.4L VCM
Introducing the RF 35mm F1.4L VCM

This hybrid lens empowers creatives with the flexibility needed to reach new levels of artistry and mixed media. Part of an expanding lineup, this single lens performs like two, and is the only RF prime lens with a dedicated iris control ring for video1. It also boasts an 11-blade aperture, enabling smooth out of focus areas to separate the subject from the background or foreground, and minimal focus breathing to help videographers avoid visual distractions when pulling focus from one subject to another. Whether capturing an event, such as a wedding, or shooting a street documentary, this hybrid lens provides a seamless experience across both stills and motion.

Whatever the setting or environment, no creative goal is off limits. For moments when a wide angle is needed – whether that’s capturing a group at an event or reportage-style shots on the street – the 35mm focal length offers a sweet spot in perspective. The f/1.4 aperture can be used to control depth of field, guaranteeing brilliant creative performance, even in those low-light moments, such as the golden hour or even a night skyline or dimly lit event. What's more, the prime lens design of the RF 35mm F1.4L VCM includes the option for both front and rear filters, giving room for extra creative expression.

Designed with the needs of photojournalists and content creators in mind, there is no need to worry about missing a fleeting moment. The fast Nano USM, combined with even faster Voice Coil Motor2 (VCM) technology, delivers quick and precise focusing for a rapid response as scenes unfold – helpful for shooting fast-paced stills of busy subjects like children or pets, or capturing the action smoothly on video. On top of this, the dedicated Lens Control Ring and customisable Lens Function Button allows photographers and videographers to stay fully immersed in the unfolding action when adjusting settings.

Those looking to shoot in more challenging environments can rely on the L-series design housing. A fluorine coating repels dirt and sand from sticking to the front and the light design (lighter than the EF predecessor) makes for comfortable shooting for long periods in the field. In addition, thanks to aspheric and UD lens elements, with Super Spectra and ASC coatings, users can enjoy crystal clear images without the worry of flare and ghosting – even in the brightest of sunshine.

Introducing the Canon Speedlite EL-10

Lightweight, compact, and affordable to help photographers get even more creative, Canon has introduced a new Speedlite to the EL range. With category-leading 1.5 second recharge time, the Speedlite EL-10 has seamless integration with features such as linked custom modes and remote flash control.

The shooting experience is now smoother and easier than ever thanks to the multifunction shoe interface that allows for enhanced communication. The linked custom shooting modes support changing scenarios such as moving from sunlight to shadow on an outdoor shoot, or when working with changing colour tones when shooting fashion. Settings can be changed remotely through the Camera Connect smartphone app, with the camera and Speedlite responding together.

24-105mm of zoom coverage and a versatile power range help aspiring content creators to take control of their lighting and give images a professional gloss – whether that be maximising a glimmer in the eye of the subject or manipulating soft flash for a moody portrait. The Speedlite EL-10 is lightweight at 284g and powered by four AA batteries, making it perfect for everyday use.

Through the versatility, flexibility and seamless functionality of both the RF 35mm F1.4L VCM and Speedlite EL-10, Canon continues to support content creators as they strive to push the boundaries of their creativity. Demonstrating a commitment to further expanding the professional RF lens range, Canon confirms it is developing additional L series zoom and prime lenses with iris rings and size uniformity that share the same hybrid stills/ video concept as the RF 35mm F1.4L VCM.

For more information about these products, please visit:
RF 35mm F1.4L VCM: https://www.canon-europe.com/lenses/rf-35mm-f1-4l-vcm/
Speedlite EL-10: https://www.canon-europe.com/cameras/speedlite-flash-el-10/